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In the hustle and bustle of everyday life, I love the quiet absorption of being in a darkened theater and the vicarious release of watching a movie or a play. I know I am not the only one.
Wednesday, September 16, 2015
(2) She Sings For Me - The Opera
Monday, September 14, 2015
(1) She Sings For Me - The Short
Rebecca Davey fashions a lovely romantic comedy from Richard Wagner's opera Die Meistersinger von Nürnberg.
Friday, September 4, 2015
Playwriting (27) A guide to creating verbatim theatre
Verbatim theatre is a type of theatre-making where the text is generated from interviews with 'real life' people. In this second film, Robin Belfield gives advice on how to create your own piece of verbatim theatre.Over the next few weeks, I capture episodes of the National Theatre: Playwriting series. These are instrumental lessons, as I work at my play "The Room." The above are my notes.
Wednesday, September 2, 2015
Playwriting (26) The ethics of verbatim theatre
Maybe I ought to give a verbatim script a try, that is, drawing on quotes from housemaid interviews and stories.
You can also draw on imagination, and merge it with realism (verbatim script).
Monday, August 31, 2015
Playwriting (25) Sean O'Casey
Sean O'Casey (1880-1963) was born into a lower middle class family in Dublin and went on to establish a successful career as a playwright at the Abbey Theatre during the 1920s. The most celebrated plays of this era are "The Shadow of a Gunman" (1923), "Juno and the Paycock" (1924), and "The Plough and the Stars" (1926).Over the next few weeks, I capture episodes of the National Theatre: Playwriting series. These are instrumental lessons, as I work at my play "The Room." The above are my notes.
Friday, August 21, 2015
Playwriting (24) Mike Leigh
Over the next few weeks, I capture episodes of the National Theatre: Playwriting series. These are instrumental lessons, as I work at my play "The Room." The above are my notes.
Wednesday, August 19, 2015
Playwriting (23) Carry a notebook
I schooled myself into using the Notes app on an old iPhone, and carried that practice to my Galaxy Note. It's far handier, and it's easier to copy onto my journals.
Over the next few weeks, I capture episodes of the National Theatre: Playwriting series. These are instrumental lessons, as I work at my play "The Room." The above are my notes.
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